“Not men, not women. People”, was their revolutionary motto. They were the Dzi Croquettes, an irreverent androgynous theater company directed by Broadway chorus line dancer Lennie Dale that defied the dictatorship and inspired a whole generation of carioca artists. The so-called besteirol theatre (anarchic, hilarious and politically incorrect) and several slang words and expressions ( Tá boa, santa?) are remnants of their influence.
They became so popular that their performances were finally forbidden, and they decided to tour Europe, where they conquered Paris and even appeared in a Claude Lelouch’s movie. “When I die, I want my show substituted by the Dzi Croquettes”, said legendary diva Josephine Baker. Continue reading Dzi Croquettes – Rio’s revolutionary cabaret→
Since the sixties, the small town of Brejo de Deus, in the dry lands of the state of Pernambuco, promotes an Easter presentation depicting the passion of Christ that became (according to its organizers) the largest outdoor show in the world. The town incorporated the spirit of the original Jerusalem and built 4 meter (13 feet) tall ramparts and towers. Today, the comunity, rebaptized as Nova Jerusalém (New Jerusalem), receives around 80,000 visitors every year for an event that is considered an example of efficient organization. The audience moves from stage to stage – nine in total, from Herodes palace to the Golgotha – to watch the 550 actors and extras, plus all sorts of animals, in action. The technical crew is composed of 400 professionals.
It is maybe kitsch, but also unique and a great source of income for a region where there is little water and economy. At least 3 million people visited Brejo de Deus since the first shows, leaving money for the small hotels, shops, restaurants and street vendors.
Have a glimpse of the atmosphere at Nova Jerusalém these days thanks to this (poor quality home video):
Paulo Szot has it all. The Brazilian baritone is starring “South Pacific”, the Rodgers and Hammerstein musical that returned to Broadway after half a century. He got a Tony Award for his performance and tons of good press. And, since the last month, he has the main part in Dmitri Shostakovich’s “The Nose” at the Metropolitan (the second Brazilian to sing there, after Bidu Sayão, in the 30s). Szot was also hired by the Met for the future seasons of “Carmen” and “Manon Lescaut”.